The Zero Point Field gets some coverage in The Perfect Discourse, here Hermes discusses The Void.
I consider that there is no void, there never could have been a void and there never will be a void. All parts of the cosmos are totally full, so that the cosmos itself is full and complete with bodies that differ in both form and quality; and each has its own appearance and size. One may be larger than another and one smaller; one may be more dense and another more subtle. Those that are more dense are more easily seen, as are those which are larger. Those that are smaller or subtler can only be seen with difficulty and sometimes not at all. These we know of only by keen attention.
Reading G.R.S. Mead’s Hymns of Hermes ‘Ecstatic Songs of Gnosis’, he asks the question of who is actually capable of singing God’s praises when it requires the whole universe and the countless universes of all that is, to sign the praises of God in any truly adequate manner?
Who, then, what man, has the understanding wherewith to praise God fitly, when through in his separated consciousness he knows not who he is, he yet begins to realise that “who he really is” must inevitably be God and no other?
In what manner can the Divine sing praises of itself as of some other than itself, when ‘I’ and ‘Thou’ must essentially be one, and the utterance of praise as of some other one seems to be a departure from the blessed state of that Divine intuition.
Give that some thought.
The fourth dimension is an abstract concept derived by generalizing the rules of three-dimensional space. It has been studied by mathematicians and philosophers for almost two hundred years, both for its own interest and for the insights it offered into mathematics and related fields.
The figures are generated by applying the rules of vectors and coordinate geometry to a space with four dimensions. A vector with four elements, such as the geomantic figures, can be used to represent a position in four-dimensional space.